Stereo
Experimental recording disc
1 - Band | |
2 - Piano Concerto | |
3 - Musical Theater | |
4 - Musical Theater | |
5 - Band | |
6 - Choral | |
7 - Gospel (T Minus5) | |
8 - Orchestral | |
9 - Piano Concerto | |
10 - Orchestral | |
11 - Orchestral | |
12 - Musical Theater | |
13 - Band | |
14 - Band and Choir | |
15 - String Practice | |
16 - String Practice | |
17 - String Practice | |
18 - String Practice | |
19 - String Practice | |
20 - String Practice | |
21 - String Practice | |
22 - String Practice | |
23 - String Practice | |
24 - String Practice | |
25 - String Practice | |
26 - String Practice | |
27 - String Practice | |
28 - String Practice |
Most baffles absorb sound from mid- to high-range frequencies; lower frequencies are more difficult to absorb. Here, the unique shapes of the IsoMike baffles are advantageous. As lower frequencies flow around the heart- or egg-shaped baffles, they are scattered, effectively dissipating their energy.
Eliminating line-of-sight between the microphones seems to lower some fidelity robbing cancellations, this reveals a layer of extreme detail and a sense of increased sensitivity. As such we took great care, therefore, to reduce the noise level within the auditorium during the recordings.