Stereo
                    Commercial release - Assorted Piano
(Solo & otherwise)
                    
| 1 - Annees de pelerinage:  Apres une Lecture  du Dante: Fantasia quasi sonata  | 
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| 2 - Sonata for Viola and Piano,  Opus 147: Moderato  | 
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| 3 - C'est Extase: Arietts Oubliees  | 
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| 4 - Lunch Time Follies:  Buddy on the Nightshift  | 
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| 5 - Battle Hymn of the Republic  | 
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| 6 - Porgy and Bess: Summertime / A Woman  Is a Sometime Thing  | 
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| 7 - Porgy and Bess: It Ain'tNecessarily So  | 
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| 8 - Trio for Piano, Oboe & Bassoon: Presto  | 
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| 9 - Scaramouche: Vif | |
| 10 - Scaramouche: Brazeleira | 
Most baffles absorb sound from mid- to high-range frequencies; lower frequencies are more difficult to absorb. Here, the unique shapes of the IsoMike baffles are advantageous. As lower frequencies flow around the heart- or egg-shaped baffles, they are scattered, effectively dissipating their energy.
Eliminating line-of-sight between the microphones seems to lower some fidelity robbing cancellations, this reveals a layer of extreme detail and a sense of increased sensitivity. As such we took great care, therefore, to reduce the noise level within the auditorium during the recordings.
| Engineer | Ray Kimber | 
| Assistants | Walt Gaisford, Brian Vaughn, Joel Stevenett  | 
                            
| Duplicating and  Mastering  | 
                                The Burning Van |