Stereo
Commercial release - Assorted Piano
(Solo & otherwise)
1 - Annees de pelerinage: Apres une Lecture du Dante: Fantasia quasi sonata |
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2 - Sonata for Viola and Piano, Opus 147: Moderato |
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3 - C'est Extase: Arietts Oubliees |
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4 - Lunch Time Follies: Buddy on the Nightshift |
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5 - Battle Hymn of the Republic |
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6 - Porgy and Bess: Summertime / A Woman Is a Sometime Thing |
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7 - Porgy and Bess: It Ain'tNecessarily So |
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8 - Trio for Piano, Oboe & Bassoon: Presto |
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9 - Scaramouche: Vif | |
10 - Scaramouche: Brazeleira |
Most baffles absorb sound from mid- to high-range frequencies; lower frequencies are more difficult to absorb. Here, the unique shapes of the IsoMike baffles are advantageous. As lower frequencies flow around the heart- or egg-shaped baffles, they are scattered, effectively dissipating their energy.
Eliminating line-of-sight between the microphones seems to lower some fidelity robbing cancellations, this reveals a layer of extreme detail and a sense of increased sensitivity. As such we took great care, therefore, to reduce the noise level within the auditorium during the recordings.
Engineer | Ray Kimber |
Assistants | Walt Gaisford, Brian Vaughn, Joel Stevenett |
Duplicating and Mastering |
The Burning Van |